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New Images added to Website

I finally got around to adding some of my Maine images to my portfolio website and image library website.  Images include scenics/landscapes of Maine, lighthouses, puffins and razorbills.

I haven’t been out photographing in a few weeks, but I am making my annual trip to Chincoteague National Wildlife Refuge in Virginia this weekend. Beginning with the Saturday before Thanksgiving to the Sunday after Thanksgiving the wildlife loop will be open to vehicles from 9:00am to dusk. Usually, the wildlife loop does not open to vehicles until 3:00pm. This happens to coincide with the peak migration of snow geese. Usually, at this time of the year there are thousands of snow geese, and I am hoping it will be the same this year. I will post a report and some images after this weekend.

Here is another one of my images from my trip to Maine this summer.


Portland Head Light in Fog,
Canon EOS-1D Mark III, Canon 24-105mm IS lens,
ISO 100, 1/50 sec at f/16, ND filter, Gitzo tripod and BH-1 ballhead.

Yesterday morning I went to Pea Island National Wildlife Refuge on the Outer Banks of North Carolina to see what wintering or migrating birds have arrived in the area. I arrived just before sunrise and was treated to a feeding frenzy with dozens of great egrets, pelicans and gulls. In addition there were thousands of pintails, a few wigeons and black ducks as well as nine white pelicans. This morning was the best opportunity that I have had to photograph the white pelicans here at Pea Island. Other birds that I saw or photographed included a few pied-billed grebes, lesser yellowlegs, cormorants, American bittern (flyby), Caspian, royal and Forster’s terns and around 60 marbled godwits. All of these species were close to the trail along North Pond and made for some fun photography this morning.   

American White Pelicans, 
Canon EOS-1D Mark III, Canon 500mm f/4L IS lens with 1.4x teleconverter,
ISO 4000, 1/1000 sec at f/8, +1/3 exp com, Gitzo tripod and Wimberley head.

The best way to photograph birds is on the same level as your subject keeping the bird in the same focal plane as your lens. Shooting from ground level creates subtle foregrounds and often creates dramatic out of focus backgrounds, especially when shooting towards the crashing waves of the ocean. This results in an artistic and surreal feel or composition of the bird being in a cloud. Ground level photography is a simple way to drastically improve the quality of your images. Here are several tips for capturing intimate pictures of birds from the ground.

 

When photographing gulls, terns, waterfowl and shorebirds on the beach or other birds in open grassy areas, I find lying down on the ground using a Walt Anderson Panning Ground Pod is the best method for capturing these intimate images of my subjects. The ground pod is small and lightweight with a 4×8x1.5 inch base and an Arca-Swiss clamp. When using the pod on the ground, it keeps your camera and lens just a few inches off the ground and is easy to capture both horizontal and vertical images. Using a cheap Frisbee underneath the ground pod keeps the pod from getting soiled with sand or mud and makes it easier to move around on the sand. Additionally, I use a Hakuba 2-Way Bubble Leveler in my camera’s hot shoe, which allows me to level the camera and lens while on an uneven surface such as sand.

 

An advantage of lying down on the ground is that birds become accustom to your presence and feel less threatened. When standing or kneeling, birds feel threatened and fly away if you approach to close. When positioning yourself on the ground, some birds may flush anyway, but they will often return to the same area once you have settled into your position. Often positioning yourself a little further away from your subject is ideal as you can scoot slowly on your stomach towards the bird until you have reached where you need to be. By using the ground pod, I am able to move toward my subject without a cumbersome tripod. The pod attached to my 500mm lens makes it easier for me to crawl and scoot in the sand and allows for a quieter approach to my subject. I am able to move the ground pod and lens out in front of me and then use my elbows to scoot or crawl towards it. Scooting along the sand allows for minimal disturbance to the bird and gets you closer to your subject than walking or standing would.  

 

Patience is essential in ground level bird photography as you will have to wait until the bird perceives you as part of the environment. Sometimes this requires a couple minutes or even longer of being still and quiet as you lay on the ground. Once the bird starts to ignore you, some of the best photographic opportunities occur as you are able to capture your subject’s behaviors.    

 

To capture the natural behaviors of your subject, it is extremely important to know what to expect from your subject. This information is vital in composing your image. You need to know how your subject moves, the size of their wingspan, how they search for food, how they preen, and when they are about to fly away. Knowing these behaviors allows you to compose your subject ideally in your viewfinder and be able to anticipate their movement to capture that perfect image. Another consideration for composition is the background and/or foreground. Make sure that there is not anything that will detract from your primary subject. Blurred backgrounds and foregrounds will emphasize your subject in the image. The sand and/or crashing waves make excellent backgrounds and give you a very intimate image of your subject.

 

Lastly, choosing a wide aperture allows you to blur your foreground and background and brings emphasis to your subject. It will also give you a higher shutter speed to freeze the action. The bird will stand out or pop against the out of focus background and foreground. By getting down on the ground, as a photographer you can improve your images by creating more intimate and dramatic pictures of birds.     

   

Copyright ©2008 by Lori A. Cash. All Rights Reserved.



Sanderling 
Canon EOS 5D, Canon 500mm f/4L IS lens with 1.4x teleconverter,
ISO 250, 1/2000 sec at f/5.6, Walt Anderson Panning Ground Pod.

 

 

Been Away

Sorry for the lack of posts lately. I had been out of town the past several weeks to take care of my mom after she had major surgery. During that time, I haven’t taken any pictures and am eager to get out in the field. I am working on a new article and will post it soon.

Sunrise at Kitty Hawk Pier

This morning I decided to get up early and head out to the Outer Banks to photograph the sunrise. Yesterday, Tropical Storm Hannah passed through northeastern North Carolina, and I was curious to see how the sunrise might be this morning. There was a bank of clouds on the horizon, so, it was not a spectacular sunrise. However, there were some nice colors in the sky. In this image, I like the intentional blur motion of the water. I used a very slow shutter speed to create this effect.


Kitty Hawk Pier, Outer Banks, North Carolina 
Canon EOS-1D Mark III, Canon 24-105mm lens, ISO 100, 0.6 sec at f/22, + 1 1/3  exp com,
Gitzo tripod and BH-1 ballhead, graduated neutral density and sunset warming filters

 

I will have a booth with a selection of my fine art prints and note cards for sale at the Currituck Wildlife Festival sponsored by the Coinjock Ruritan Club. The festival will be held at the Currituck County High School in Barco, North Carolina on Saturday, September 6, 2008 from 10:00 a.m. to 5:00 p.m. and Sunday, September 7, 2008 from 10:00 a.m. to 4:00 p.m. There is a $5.00 admission fee.

Acadia National Park, Maine

On my trip to Maine I spent three partial days exploring and photographing in Acadia National Park which is located on Mount Desert Island near Bar Harbor, Maine. Here you will find a mix of glacier-carved mountains, cobblestone beaches, granite cliffs, conifers, lakes, streams, and rocky coastline. This diversity of landscape is a paradise for the nature photographer. 

The first day at Acadia I got up really early in hopes of photographing the sunrise. However, it was a very foggy morning, and there was not a spectacular sunrise. The fog stayed pretty much all day. On my second day I spent the late afternoon and evening at Acadia. In late afternoon I had some blue skies with white puffy clouds, but as evening approached, it became mostly cloudy. The sunset I had hoped for did not materialize. My third day at Acadia started off pretty well. Of course, as usual, on this trip the morning was foggy. I decided to start the morning photographing Stanley Brook. This brook was easily accessible as it runs along the side of the road in the south side of the park. I was able to get the images that I wanted of the brook before it started raining.

There is so much to explore In Acadia with over 120 miles of hiking trails plus the 27-mile park loop road. Due to the foggy mornings and evenings, I did not get to photograph any breathtaking sunrises or sunsets, but instead I focused on the foggy landscapes. Even though I did not encounter any special or gorgeous lighting conditions, my time at Acadia was productive with lots of new images to add to my growing stock library. This is a place that I would like to explore and photograph more. Maybe, for my next trip to Maine I will go in the fall for some autumn colors.   


Stanley Brook, Acadia National Park 
Canon EOS-1D Mark III, Canon 24-105mm lens,
ISO 100, 1/20 sec at f/22, - 1/3  exp com,
Gitzo tripod and BH-1 ballhead, circular polarizer filter


Otter Cliffs in Fog, Acadia National Park 
Canon EOS-1D Mark III, Canon 24-105mm lens, 
ISO 100, 4 sec at f/22, Gitzo tripod and BH-1ballhead
 
 
  

My trip to Maine was pretty busy, but I did manage a morning at Baxter State Park in hopes of photographing moose. Sandy Stream Pond within the Baxter State Park is supposed to be a good place to see and photograph moose, so, I thought I would check it out. Moose was not my primary focus for my trip to Maine, and thus I was able to only squeeze the one morning to spend there. The trail to Sandy Stream Pond was fairly easy but muddy from recent rains. Moose is known to frequent the pond especially in the summer. Even though I lived in Maine for nearly four years, I never saw a moose. Well, I finally saw one at Sandy Stream Pond, however, it was across the far side of the pond. The moose cow stayed along the far side grazing but never came close enough for me to get a really close up image. Of course, I was disappointed that I did not get to see a moose up close and be able to capture some images of this creature, but the scenery at Sandy Stream Pond made up for the lack of moose images. This place was one of the most beautiful places I have ever seen. So, I did not mind sitting on the big rock for four hours waiting for a moose to come close. On my next trip to Maine I will have to designate a couple of days to specifically focus on photographing moose and exploring more of Baxter State Park.


Sandy Stream Pond 
Canon EOS-1D Mark III, Canon 24-105mm lens handheld,
ISO 200, 1/40 sec at f/16, - 1/3  exp com, circular polarizer filter

One of the highlights on my trip to Maine was the cruise to Machias Seal Island to photograph puffins. Machias Seal Island is a small low-lying rocky island about nine miles offshore from Cutler, Maine and serves as a major breeding colony for puffins, razorbills and some common murres. Several boat charters take a limited amount of visitors to the island to photograph or view the seabirds. The best time for seeing puffins on Machias Seal Island is May through August. Several companies offer cruises to Machias Seal Island. I used Bold Coast Charter Company and Captain Andy Patterson for my trip.


Atlantic Puffin 
Canon EOS-1D Mark III, Canon 100-400mm lens,
ISO 250, 1/1250 sec at f/5.6, + 1 exp com

Since I was staying in Ellsworth and the cruise left from Cutler, I started the day at 4:00 am for the two hour drive to the small fishing village in Downeast Maine. As I left the hotel it was raining and very foggy, and I was not sure what would be in store for the trip to Machias Seal Island. By the time I arrived in Cutler the rain had stopped, but the fog was still pretty thick. All 14 passengers were loaded up to a small motored skiff and transported to the cruise boat, Barbara Frost, which was moored in the Cutler Harbor. We left the harbor around 7:15am, and our trip to the island took around 45 minutes. On the way to the island we started seeing some puffins flying by, and I was getting excited. The fog was so thick that I did not bother trying to photograph on the ride out to the island. When we arrived we could barely see Machias Seal Island and its lighthouse through the fog. In small groups we were motored to the island in a skiff. We were lucky that the tides were in our favor and that we could indeed land on the island. After making way up the slippery landing area we were escorted up a walkway leading to a picnic area near the lighthouse. We met with a naturalist stationed on the island, and he discussed the procedures on viewing the puffins from the blinds. There are four permanent wooden blinds located among the breeding colony. The blinds are very small (approximately 4×8 ft) with several small sliding wooden panels for access to photograph or view the puffins, razorbills and murres. After being briefed, we were escorted to the blinds in two groups of three and two groups of four. I was lucky to be in one of the groups of three.

Time in the blinds generally ranges from 1/2 to 2 hours depending on how many others are waiting to go into the blinds. On this day, we had about two hours in the blind. The foggy weather helped diffuse the bright morning sunlight and gave me great lighting. The research I did before this trip made me realize that I did not want to bring my big 500mm lens and tripod on this trip. Instead I chose to handhold my Canon 1D Mark III camera and 100-400mm lens. Fortunately, I was able to maintain high enough shutter speeds to make this possible. This setup worked perfectly for me. I was able to move around the blind more freely to check other viewing slots, and when I focused on trying to capture flight images of the puffins this camera and lens setup again allowed greater movement within the blind.


Atlantic Puffin 
Canon EOS-1D Mark III, Canon 100-400mm lens,
ISO 250, 1/800 sec at f/8, + 1/3 exp com

The three of us crammed ourselves and our gear into the small blind. Razorbills and puffins were everywhere around the blind. Some were just a few feet away. Some birds were a little farther away while others were landing and walking on the roof of the blind. I scanned the rocks looking for birds that would give me nice backgrounds and concentrated on these situations. Luckily, I found areas that gave me a soft blue background and focused on the birds that would hang out in this area. The birds seem to remain fairly active as they would rest for a few minutes, flap wings, preen, fly off and then others would fly in to this spot. I was able to capture all these behaviors as well as get some nice portraits of the puffins and razorbills. Unfortunately, the murres stayed a little further out, and I guess that is where having a big lens like the 500mm would have been handy. But I was still very pleased with the images that I did capture. Because we had nearly two hours in the blind, it was one of the best times I had photographing birds.


Razorbill 
Canon EOS-1D Mark III, Canon 100-400mm lens,
ISO 250, 1/2500 sec at f/5.6 

As we came out of our blinds another group of visitors from Grand Manan, Canada were waiting for their turn in the blind. I was glad that we had been the early group because the fog was starting to clear, and the sun was becoming harsh. After our time in the blind was up we went back to the picnic area and met with the rest of our group. We were able to talk with the naturalist and ask questions before heading back down the walkway to leave the island. Once we were back on the Barbara Frost, Captain Andy Patterson took us by a small island where harbor and gray seals were sunbathing on seaweed covered rocks. The lighting was getting a little harsh, but I had to take some photographs of the seals. On the ride back to Cutter Harbor we also saw some black guillemots and Wilson’s storm-petrels. Because the fog had lifted for our return, we had a picturesque view of Cutler Harbor which was a wonderful way to end our trip. 

This was a fantastic adventure and an unforgettable experience. Not only was it a great opportunity for photography, but being so close to the puffins and razorbills and being able to observe their behaviors was remarkable. This experience alone was well worth a trip to Maine. I look forward to doing this again soon.  


Harbor Seal 
Canon EOS-1D Mark III, Canon 100-400mm lens,
ISO 400, 1/1250 sec at f/5.6, + 2/3 exp comp 

Yesterday, I returned home from a wonderful and exhausting 10 day trip to Maine. In my early twenties I was stationed in Rockland, Maine while serving in the Coast Guard. I had not been back to Maine since I left 16 years ago, so, it was really interesting to see how things had changed in the state and in the town of Rockland. 

My first day and night I stayed in Portland and took some pictures of the Portland Head Light and Spring Point Ledge Lighthouse. I then traveled to Ellsworth and stayed in a hotel the rest of my trip. Some of the highlights were the cruise to Machias Seal Island to photograph puffins, Acadia National Park, Baxter State Park and the many towns along the Mid-Coast. I pretty much was going from sunrise to sunset taking pictures at the above locations. I have returned home with over 1,500 images and now have the task of weeding through them, converting and processing the keepers. I should have lots of new images including the new bird species of puffins and razorbills.

Later this week I will start making several posts talking about the different locations I photographed in Maine including Machias Seal Island, Acadia National Park and Baxter State Park and will include some pictures, too.     

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